Defender Faith Philip Roth Pdf File
W e are in the midst of a revolution in our understanding of sexual harassment and assault. We’re told, as we are often told in the midst of media-driven manias, that everything has really changed this time. As satisfying as this narrative might be for feminists on the warpath against “toxic masculinity” and conservatives who revile the sexual libertinism of the past half-century in America, it isn’t true. As long as men and women are thrown together in the workplace—and are placed in competition with each other—sex will, in part, be a means to achieve power, a weapon wielded by both men and women. The question is what we can do to mitigate the damage.
The record so far—and by so far, I mean over the past four decades—is not encouraging. In the Beginning Was the ‘Hostile Work Environment’ In 1979, the feminist legal thinker Catharine MacKinnon published a book called Sexual Harassment of Working Women. Her goal was to convince the public (especially the courts) that harassment was a serious problem affecting all women whether or not they had been harassed, and that it was discriminatory.
Philip Roth Studies
“The factors that explain and comprise the experience of sexual harassment characterize all women’s situation in one way or another, not only that of direct victims of the practice,” MacKinnon wrote. “It is this level of commonality that makes sexual harassment a women’s experience, not merely an experience of a series of individuals who happen to be of the female sex.” MacKinnon was not only making a case against clear-cut instances of harassment, but also arguing that the ordinary social dynamic between men and women itself created what she called “hostile work environments.”.
‘S o what’s the scoop on this conductor guy?” a friend once asked after I took her to an orchestral concert, the first one she had ever seen. “Do they really need him, or is he just there for show?” Her question was a good one. Anyone who has witnessed a performance by the conductorless Orpheus Chamber Orchestra knows that a couple of dozen classical musicians can give a shapely, polished performance of a symphony by Haydn or Mozart without a conductor.
Any well-drilled symphony orchestra can do the same thing. Not that he tries. What was remarkable about the condescension in this instance was that Franken directed it at women who accused him of behaving “inappropriately” toward them.
(In an era of strictly enforced relativism, we struggle to find our footing in judging misbehavior, so we borrow words from the prissy language of etiquette. The mildest and most common rebuke is unfortunate, followed by the slightly more serious inappropriate, followed by the ultimate reproach: unacceptable, which, depending on the context, can include both attempted rape and blowing your nose into your dinner napkin.) Franken’s inappropriateness entailed, so to speak, squeezing the bottoms of complete strangers, and cupping the occasional breast. Franken himself did not use the word “inappropriate.” By his account, he had done nothing to earn the title. His earlier vague denials of the allegations, he told his fellow senators, “gave some people the false impression that I was admitting to doing things that, in fact, I haven’t done.” How could he have confused people about such an important matter?
Doggone it, it’s that damn sensitivity of his. The nation was beginning a conversation about sexual harassment—squeezing strangers’ bottoms, stuff like that—and “I wanted to be respectful of that broader conversation because all women deserve to be heard and their experiences taken seriously.” Well, not all women. The women with those bottoms and breasts he supposedly manhandled, for example—their experiences don’t deserve to be taken seriously. We’ve got Al’s word on it. “Some of the allegations against me are not true,” he said.
“Others, I remember very differently.” His accusers, in other words, fall into one of two camps: the liars and the befuddled. You know how women can be sometimes. It might be a hormonal thing. But enough about them, Al seemed to be saying: Let’s get back to Al. “I know the work I’ve been able to do has improved people’s lives,” Franken said, but he didn’t want to get into any specifics. “I have used my power to be a champion of women.” He has faith in his “proud legacy of progressive advocacy.” He’s been passionate and worked hard—not for himself, mind you, but for his home state of Minnesota, by which he’s “blown away.” And yes, he would get tired or discouraged or frustrated once in a while.
But then that big heart of his would well up: “I would think about the people I was doing this for, and it would get me back on my feet.” Franken recently published a book about himself: Giant of the Senate. I had assumed the title was ironic.
Now I’m not sure. Yet even in his flights of self-love, the problem that has ever attended Senator Franken was still there. You can’t take him seriously.
He looks as though God made him to be a figure of fun. Try as he might, his aspect is that of a man who is going to try to make you laugh, and who is built for that purpose and no other—a close cousin to Bert Lahr or Chris Farley. And for years, of course, that’s the part he played in public life, as a writer and performer on Saturday Night Live. When he announced nine years ago that he would return to Minnesota and run for the Senate—when he came out of the closet and tried to present himself as a man of substance—the effect was so disorienting that I, and probably many others, never quite recovered.
As a comedian-turned-politician, he was no longer the one and could never quite become the other. The chubby cheeks and the perpetual pucker, the slightly crossed eyes behind Coke-bottle glasses, the rounded, diminutive torso straining to stay upright under the weight of an enormous head—he was the very picture of Comedy Boy, and suddenly he wanted to be something else: Politics Boy. I have never seen the famously tasteless tearjerker The Day the Clown Cried, in which Jerry Lewis stars as a circus clown imprisoned in a Nazi death camp, but I’m sure watching it would be a lot like watching the ex-funnyman Franken deliver a speech about farm price supports.
Then he came to Washington and slipped right into place. His career is testament to a dreary fact of life here: Taken in the mass, senators are pretty much interchangeable. Party discipline determines nearly every vote they cast. Only at the margins is one Democrat or Republican different in a practical sense from another Democrat or Republican.
Some of us held out hope, despite the premonitory evidence, that Franken might use his professional gifts in service of his new job. Yet so desperate was he to be taken seriously that he quickly passed serious and swung straight into obnoxious.
It was a natural fit. In no time at all, he mastered the senatorial art of asking pointless or showy questions in committee hearings, looming from his riser over fumbling witnesses and hollering “Answer the question!” when they didn’t respond properly. It’s not hard to be a good senator, if you have the kind of personality that frees you to simulate chumminess with people you scarcely know or have never met and will probably never see again. There’s not much to it.
A senator has a huge staff to satisfy his every need. There are experts to give him brief, personal tutorials on any subject he will be asked about, writers to write his questions for his committee hearings and an occasional op-ed if an idea strikes him, staffers to arrange his travel and drive him here or there, political aides to guard his reputation with the folks back home, press aides to regulate his dealings with reporters, and legislative aides to write the bills should he ever want to introduce any. The rest is show biz. Oddly, Franken was at his worst precisely when he was handling the show-biz aspects of his job. While his inquisitions in committee hearings often showed the obligatory ferocity and indignation, he could also appear baffled and aimless.
His speeches weren’t much good, and he didn’t deliver them well. As if to prove the point, he published a collection of them earlier this year, Speaking Franken. Until Pearl Harbor, he’d been showing signs of wanting to run for president. Liberal pundits were talking him up as a national candidate. Speaking Franken was likely intended to do for him what Profiles in Courage did for John Kennedy, another middling senator with presidential longings. Unfortunately for Franken, Ted Sorensen is still dead. The final question raised by Franken’s resignation is why so many fellow Democrats urged him to give up his seat so suddenly, once his last accuser came forward.
The consensus view involved Roy Moore, in those dark days when he was favored to win Alabama’s special election. With the impending arrival of an accused pedophile on the Republican side of the aisle, Democrats didn’t want an accused sexual harasser in their own ranks to deflect what promised to be a relentless focus on the GOP’s newest senator. This is bad news for any legacy Franken once hoped for himself.
None of his work as a senator will commend him to history. He will be remembered instead for two things: as a minor TV star, and as Roy Moore’s oldest victim.
T he days leading up to President Trump’s recognition of Jerusalem as the capital of Israel were fraught with apocalyptic warnings. Palestinian spokesmen and allies, former Obama-administration officials, and the media elite slammed the prospective decision as a reckless betrayal of the peace process that would inflame the Middle East and provoke further bloodshed. A casual reader of the news would have been likely to interpret the controversy as yet another example of an irresponsible president catering to domestic special interests at the cost of American global prestige. What I observed, however, was something altogether different: the Obama echo chamber at work. Back in 2016, then–deputy national-security adviser Ben Rhodes gave an extraordinary interview to the New York Times Magazine in which he revealed how President Obama exploited a clueless and deracinated press to steamroll opposition to the Iranian nuclear deal. “We created an echo chamber,” Rhodes told journalist David Samuels.
“They”—writers and bloggers and pundits—“were saying things that validated what we had given them to say.” Rhodes went on to explain that his job was made easier by structural changes in the media, such as the closing of foreign bureaus, the retirement of experienced editors and correspondents, and the shift from investigative reporting to aggregation. “The average reporter we talk to is 27 years old, and their only reporting experience consists of being around political campaigns,” he said. “That’s a sea change. They literally know nothing.” And they haven’t learned much.
It was dispiriting to watch in December as journalists repeated arguments against the Jerusalem decision presented by Rhodes on Twitter. On December 5, quoting Mahmoud Abbas’s threat that moving the U.S. Embassy to Jerusalem would have “dangerous consequences,” Rhodes tweeted, “Trump seems to view all foreign policy as an extension of a patchwork of domestic policy positions, with no regard for the consequences of his actions.” He seemed blissfully unaware that the same could be said of his old boss. The following day, Rhodes tweeted, “In addition to making goal of peace even less possible, Trump is risking huge blowback against the U.S. And Americans. For no reason other than a political promise he doesn’t even understand.” On December 8, quoting from a report that the construction of a new American Embassy would take some time, Rhodes asked, “Then why cause an international crisis by announcing it?” Rhodes made clear his talking points for the millions of people inclined to criticize President Trump: Acknowledging Israel’s right to name its own capital is unnecessary and self-destructive. Rhodes’s former assistant, Ned Price, condensed the potential lines of attack in a single tweet on December 5.
“In order to cater to his political base,” Price wrote, “Trump appears willing to: put U.S. Personnel at great risk; risk C-ISIL counter-ISIL momentum; destabilize a regional ally; strain global alliances; put Israeli-Palestinian peace farther out of reach.” Prominent media figures happily reprised their roles in the echo chamber. Susan Glasser of Politico: “Just got this in my in box from Ayman Odeh, leading Arab Israeli member of parliament: ‘Trump is a pyromaniac who could set the entire region on fire with his madness.’” BBC reporter Julia Merryfarlane: “Whether related or not, everything that happens from now on in Israel and the Pal territories will be examined in the context of Trump signaling to move the embassy to Jerusalem.” Neither Rhodes nor Price could have asked for more. Network news broadcasts described the president’s decision as “controversial” but only reported on the views of one side in the controversy. Guess which one. “There have already been some demonstrations,” reported NBC’s Richard Engel. “They are expected to intensify, with Palestinians calling for three days of rage if President Trump goes through with it.” Left unmentioned was the fact that Hamas calls for days of rage like you and I call for pizza.
Throughout Engel’s segment, the chyron read: “Controversial decision could lead to upheaval.” On ABC, George Stephanopoulos said, “World leaders call the decision dangerous.” On CBS, Gayle King chimed in: “U.S. Allies and leaders around the world say it’s a big mistake that will torpedo any chance of Middle East peace.” Oh?
What were the chances of Middle East peace prior to Trump’s speech? On CNN, longtime peace processor Aaron David Miller likened recognizing Jerusalem to hitting “somebody over the head with a hammer.” On MSNBC, Chris Matthews fumed: “Deaths are coming.” That same network featured foreign-policy gadfly Steven Clemons of the Atlantic, who said Trump “stuck a knife in the back of the two-state process.” Price and former Obama official Joel Rubin also appeared on the network to denounce Trump. “American credibility is shot, and in diplomacy, credibility relies on your word, and our word is, at this moment, not to be trusted from a peace-process perspective, certainly,” Rubin said. This from the administration that gave new meaning to the words “red line.” Some journalists were so devoted to Rhodes’s tendentious narrative of Trump’s selfishness and heedlessness that they mangled the actual story. “He had promised this day would come, but to hear these words from the White House was jaw-dropping,” said Martha Raddatz of ABC. “Not only signing a proclamation reversing nearly 70 years of U.S. Policy, but starting plans to move the embassy to Jerusalem.
No one else on earth has an embassy there!” How dare America take a brave stand for a small and threatened democracy! In fact, Trump was following U.S. Policy as legislated by the Congress in 1995, reaffirmed in the Senate by a 90–0 vote just last June, and supported (in word if not in deed) by his three most recent predecessors as well as the last four Democratic party platforms. Most remarkable, the debate surrounding the Jerusalem policy ignored a crucial section of the president’s address.
“We are not taking a position on any final-status issues,” he said, “including the specific boundaries of Israeli sovereignty in Jerusalem, or the resolution of contested borders. Those questions are up to the parties involved.” What we did then was simply accept the reality that the city that houses the Knesset and where the head of government receives foreign dignitaries is the capital of Israel.
However, just as had happened during the debate over the Iran deal, the facts were far less important to Rhodes than the overarching strategic goal. In this case, the objective was to discredit and undermine President Trump’s policy while isolating the conservative government of Israel. Yet there were plenty of reasons to be skeptical toward the disingenuous duo of Rhodes and Price. Trump’s announcement was bold, for sure, but the tepid protests from Arab capitals more worried about the rise of Iran, which Rhodes and Price facilitated, than the Palestinian issue suggested that the “Arab street” would sit this one out. Which is what happened. Moreover, verbal disagreement aside, there is no evidence that the Atlantic alliance is in jeopardy.
Nor has the war on ISIS lost momentum. As for putting “Israeli–Palestinian peace farther out of reach,” if third-party recognition of Jerusalem as Israel’s capital forecloses a deal, perhaps no deal was ever possible. Rhodes and Price would like us to overlook the fact that the two sides weren’t even negotiating during the Obama administration—an administration that did as much as possible to harm relations between Israel and the United States. This most recent episode of the Trump show was a reminder that some things never change.
Jerusalem was, is, and will be the capital of the Jewish state. President Trump routinely ignores conventional wisdom and expert opinion. And whatever nonsense President Obama and his allies say today, the press will echo tomorrow.
. Abstract: The purpose of this paper is to illustrate the conflict between two different approaches to faith in Philip Roth's short story Defender of the Faith. On the one hand, there is a young spoiled private (Sheldon Grossbart), who tries to use religious faith as a means of self-interested manipulation, and on the other hand, we have a mature reliable sergeant (Nathan Marx), who manages to find his own identity and successfully confronts his opponent by proving the importance of faith in moral and social values, while remaining true to his religious beliefs. Copyright of Scientific Journal of Humanistic Studies is the property of Cormos Gratian iONUT PFA and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged.
No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. For access to this entire article and additional high quality information, please check with your college/university library, local public library, or affiliated institution. Important User Information: Remote access to EBSCO's databases is permitted to patrons of subscribing institutions accessing from remote locations for personal, non-commercial use. However, remote access to EBSCO's databases from non-subscribing institutions is not allowed if the purpose of the use is for commercial gain through cost reduction or avoidance for a non-subscribing institution.